The problem is that he always takes his audience for granted and wants it to believe whatever he shows as true. And the so-called realistic filmmaker – Madhur Bhandarkar has typed himself as a filmmaker concentrating on the dark side only of the field he is dealing with in his movie. The way every coin has two sides, the same way every world or field has two altogether different sides – one bright one and one dark one. And as a Hindi maxim tells - Duvidha Mein Dono Gaye, Maaya Milee Na Raam (in the condition of being in a fix, the person may get neither God nor wealth), she finally gets none of them.

She is indecisive or confused as to what she actually wants from her life - a successful career or a love-filled life with the man of her choice. People keep on coming in and going out of her life and she finally ends up running away from the arc-lights and the sounds like Light, Camera, Action, Cut etc., i.e., instead of being a crowd-puller, feels better being a part of the crowd.

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